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The vampire genre, as we all know, has arisen from its coffin once again – thanks, some may say, to a Mormon. Though I don’t see Twilight as the savior of the genre, I like to think Alan Ball and his excellent adaptation of Charlaine Harris’ Southern Vampire series, True Blood, is the saving grace behind the re-birth. It’s the anti-Twilight in everyway, and everything vampirism should be; dark, brooding, dangerous and sexual – not sparkly and fluffy! Regardless of which side you root for, the genre is truly alive and kicking. So when news broke that Korean mega-director Chan-wook Park was to make a vampire film; it was a guarantee that Continue reading »

Theatrical Poster (Korean)

Four high school girls make a suicide pact and head to the rooftop of their school but only one hits the ground and dies. Rumors begin flying that the deceased girl was pregnant and other silliness but some of the girls suspect her best friend, one of the three girls that didn’t die. As tensions between the three friends mount, the soul of the deceased young woman begins haunting the friends, forcing them to admit their role in a plot that may or may not have been a fake suicide pact designed to murder one of the girls!

If you’re a fan of the Whispering Corridors series, you know what to expect, they all seem to revolve in some form or another around the same concepts, usually Continue reading »

The Cut (Hae-boo-hak-kyo-sil – 2007)
R3 / NTSC DVD
Ssamzie Ivision / 2007
Director: Son Tae-woong
Writer: Park Seon-jae, Jeon Soon-wook, Son Tae-woong
Cast: Han Ji-min, Oh Tae-kyeong, On Joo-wan, Jo Min-ki
Review by Phillip Escott

Six medical students discover a shocking secret about the cadaver they are assigned to carve up for anatomy class. They also appear to be suffering from the same nightmare; a one-eyed doctor with a leg brace, who seems hell-bent on extracting revenge on them. But what has this to do with the young lady on their nice shiny table? And what the hell have they done to deserve the punishment this doctor wishes to lay upon them all? Will they find out in time to solve the death of their cadaver before they end up sharing a slab with her?

Okay, The Cut is not a good film; it’s confused; poorly acted, for the majority, with some awful dialogue and so many unnecessary plot twists that the film gets lost up its own back-passage. A strong first half is let down by a clumsy final third, that lays crappy revelation upon crappy revelation, with never an apparent ending in sight and growing increasingly senseless: this should have clocked in at 90 minutes – max, but director Son Tae-woong just doesn’t seem able to let his baby go.

Having said that, it does have its heart in the right place; it tries oh so hard to be a frightening little horror film (it even has the trusty stock character formula: The Final Girl™ + The Geek + The Hunk + The Slut + The Fatty + The Ugly Duckling = Safe Ground!) but fails because of it. Some of the ‘scares’ seem thought up on the spot and make no sense with the overall run of things. The first half, in which it appears the film will be a clear ‘who dunnit?’ is tragically let down by the introduction of a vengeful spirit of a dead girl, with long-black hair, taking over in the second-half (originality? huh?).

For all the flaws, it will entertain fans of Asian horror, even though it brings nothing new to the table. The blood-letting is restrained and the silly frights become a bore but, having said that, it does remain a beautiful looking piece. Some truly Argento inspired visuals break the monotony of the proceedings and certain set-pieces pay homage to Kiyoshi Kurosawa’s Kairo while still remaining a little spooky; but only because it reminds one of a superior movie and the frights associated with said film, which is the best way of describing The Cut: an appetizer to the main course; it may fill a hole, but it will leave you wanting much more.

A run-of-the-mill Korean horror flick that shows that a new talent could emerge; if he’s given the script too match his visual flare. The Cut isn’t going to win over many newcomers to the genre, but it will certainly keep the faithful entertained; but a little frustrated by the fact that a decent film was allowed to get away.

U.S. DVD Release

Ka-in (Yoon Jin-seo) is a talented young fencing student who’s life is about to be thrown into turmoil when she learns of a curse that turns one’s friends and family into blood-thirsty savages in their presence. After the demise of her aunt on her wedding day, by the hands of her new husband AND her sister, a nasty-looking-demon-thing comes from a river of blood to announce that Ka-in is next. A mysterious student at her school, Suk-min (Park Ki-woong) warns her that she can not trust anyone, including her self. Soon she is fending off fellow students, teachers and her own mother as they attempt to snuff the poor girl out, all the while trying to get to the bottom of all of this madness.

Some films offer so much and Continue reading »

The Good, The Bad, The Weird (Theatrical – 2008)
Icon Films/ 2009
Directed by Kim Jee-woon
Written by Kim Jee-woon & Kim Min-seok
Cast: Song Kang-ho, Lee Byung-hun, Jeong Woo-seong
Review by Phillip Escott

Chang-yi (Lee – doing his best Lee Van Cleef impression) is hired by a wealthy business man to retrieve a valuable map that he has sold on to the Japanese army. While attempting to raid a train he is pipped to the punch by Tae-gu (Song) a seemingly dumb-ass wannabe train robber. Also onboard to add to the mayhem and confusion is crack-shot bounty hunter Do-weon (Jeong) who is out to collect Chang-yi. When Tae-gu escapes with the map, he finds himself hunted by not only Chang-yi and Do-weon, but also the Japanese army and numerous gangs; all out to the grab the loot the mysterious map promises.
From a technical standpoint, The Good, The Bad, The Weird is Kim Jee-woon’s most accomplished movie to date, his eye for action set-pieces; as first hinted at in A Bittersweet Life, shines here. The opening train robbery, the market shoot-out and the climatic 15minute pursuit through the desert are all truly thrilling to witness, where he fails in achieving yet another modern day Korean classic is in its characters. All three actors do brilliant jobs; they are all likeable, even the maniacal Chang-yi has his charms! But after the two hours we spend with the trio of cowboys, we hardly get to know them and as a consequence we don’t really care what happens to them; this hinders the finale a great deal as it lacks the emotional punch that Kim was obviously aiming for.

Flaws aside, this is still a ripping good yarn. I’ve not seen so many guns going off this side of John Woo’s Hard Boiled! After the bleakness of A Bittersweet Life it’s a nice touch for Kim to include so much humour into his latest effort. Naturally most of the humour is courtesy of the great Song Kang-ho who almost single-handedly generates every laugh the film has to offer, for which there are a lot. The Good, The Bad, The Weird will not be remembered as one of Kim Jee-woon’s greatest achievements, but it will certainly be seen as a film that helped perfect some of his talents; if there is a scene as exciting as the market-town shootout this year then I’ll eat a bullet-ridden cowboy hat!

The Good, The Bad, The Weird isn’t the movie I was hoping for, the disappointing finale and lack of any emotional connection to the characters really stop it from becoming Kim’s masterpiece. Compared to A Tale of Two Sisters and A Bittersweet Life; this is the least memorable. All flaws aside, this is still a cracking little adventure film with tonnes of laughs and plenty of violence to keep you glued to the screen! It might be a stumble for Kim, but it will certainly lead to bigger things for this talented man. Which other director in recent memory can jump from genre to genre and produce such quality? Roll on his next endeavour, whatever that might be.

The Chaser (2008)
R2 / PAL DVD
Metrodome / 2009
Directed by Na Hong-jin
Written by Lee Shin-ho, Hong Won-chan
Cast: Kim Yun-seok, Ha Jung-woo, Seo Yeong-hie, Jung In-gi, Park Hyo-ju
Review by Phillip Escott

Jung-ho is having what you might call a bad streak. He’s an ex-cop turned pimp, a pimp whose call girls are disappearing one by one. Assuming they have left him after taking an advance, or worse, they’ve been sold off by a rival. He begins to prowl the streets looking for them: all he is able to find is his swank Jaguar – no girls. Seeking the help of his last remaining girl, Mi-jin, he inadvertently leads her into the hands of the man responsible for the girls sudden disappearances, Jee Young-min; the neighborhood serial killer. It soon becomes a race against time for Jung-ho to find his missing girl before Jeong-wu takes his beloved rusty chisel and hammer to her head!

The Chaser is the latest South Korean movie to gather critical acclaim in the West, much like Memories of Murder, Oldboy and A Bittersweet Life before it; it’s a dark and original effort. A film steeped in moral complexity/ambiguity and showcasing some fine performances from the two male leads; where the film fails to capture the essence of the forbearers is in its pacing. Its run time is similar to the previous titles, yet due to a sloppy middle section, which weighs the film down, it feel thirty minutes longer than it really should be. Those willing to stick with Jung-ho frantic search will be rewarded with a truly worthwhile conclusion – South Korean style! For anyone unfamiliar with the nations cinematic output, you can bet your ass that hammers will play a big part in causing physical damage.

Jung-ho is one of South Korea’s great characters, at first we can’t help but loath him; he’s a two-bit bottom feeder who leaches off desperate women. As the movie progresses however, we learn that it’s all a tough-guy facade and he really does care for his employees, as going as far as to take care of Mi-jin’s young daughter as he continues his quest to find out where the insane Young-min has left her. His sincerity and dedication to finding his girl is touching and we get brief glimpses into his true-self in some touching moments throughout the movie. He’s a well written character that will be remembered alongside the likes of Oldboy’s Oh Dae-su.

A blinding opening and climax are let down by a lazy middle section, news of the American remake (by the team behind The Departed) is welcomed, as this is a movie that has a lot of potential once the creases are ironed out, it could be the movie it hints at in the stronger elements here. Those with an interest in Korean cinema will want to check this out regardless of its flaws, those looking for a fast paced cat and mouse thriller will want to look elsewhere due to the issues with pacing in the second act.

Theatrical Poster

The director of R-Point brings us his latest Army-based horror with The Guard Post. The story of a group of marines sent into the titular post after they fail to report back to HQ. Upon arrival they find a bloodbath, bloody corpses scattered all over with one Axe-wielding marine left in a frenzy – he’s soon dispatched and the crew have until 6AM to find out what the hell happened before all of this is brushed under the rug by management.

It isn’t long before they stumble upon another survivor, who will only talk once he’s away from the building, too bad that a landslide has blocked Continue reading »

R2 UK DVD

Friend tells the auto-biographical tale of director Kwak Kyung-taek and 3 of his closest friends. Although they come from different backgrounds, their bond is life-long and the film charts their early days in Busan (Pusan to us westerners) through high-school and their separation as some go off to university and the others rise through the street-ranks and become gangsters.

Sure, the story isn’t anything new but where the film excels is in its characters. They feel real and you become involved in their plights as easy as the other characters they share the screen with. Jang Kun-dong and Yo Oh-seong really shine here, they Continue reading »

R2 DVD Release

After the mega-success of Wilson Yip’s and Donnie Yen’s previous collaboration, the mighty SPL (Kill Zone), they have re-teamed to make a prequel of sorts. Following the tough-as-nails, Inspector Ma (Yen) once again as he tries to bring down a band of bad-ass Vietnamese brothers, led by Tony (the criminally underused Ngai Sing, or Collin Chou to Matrix fans) who has wronged Ma by trying to kill any witness who has the balls to testify against him, or any of his brothers.

Flash Point could never live up to the joys of SPL, that film that brought a breathe of fresh air to the Hong Kong industry that was producing Infernal Affairs rip-offs time and time again. Where SPL was down and dirty; brutal and grimy, Flash Point Continue reading »

Gangster High (Korean SE DVD)

The film opens on a prisoner’s feet, in shackles, as an officer reads out a list of offenses this person is responsible for; from assault to murder. The camera follows up the prisoner’s legs, up his torso to reveal the angelic face of Sang-ho (Jeong Kyeong-ho), a high school student. We are then cast back to how he and his band of high school friends formed a football team called ‘The Tigers’ and how they quickly become involved with gang fights/feuds with a rival school called ‘TNT’… the consequences of these petty squabbles are made apparent from the officers report: but who are the victims mentioned on the report? Continue reading »

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