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	<title>Wildside Cinema &#187; Japan</title>
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	<link>http://wildsidecinema.com</link>
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		<title>Film Review: &#8216;Japanese Wife Next Door&#8217; (Inran naru ichizoku: Dai-ni-shô &#8211; zetsurin no hate ni &#8211; 2004) Sizzles with Passionate Neighborly Love</title>
		<link>http://wildsidecinema.com/2012/03/film-review-japanese-wife-next-door-inran-naru-ichizoku-dai-ni-sho-zetsurin-no-hate-ni-2004-sizzles-with-intense-neighborly-love/</link>
		<comments>http://wildsidecinema.com/2012/03/film-review-japanese-wife-next-door-inran-naru-ichizoku-dai-ni-sho-zetsurin-no-hate-ni-2004-sizzles-with-intense-neighborly-love/#comments</comments>
		<pubDate>Thu, 15 Mar 2012 16:16:07 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[Asian Cinema]]></category>
		<category><![CDATA[Erotic]]></category>
		<category><![CDATA[Japan]]></category>
		<category><![CDATA[2004]]></category>
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		<guid isPermaLink="false">http://wildsidecinema.com/?p=15324</guid>
		<description><![CDATA[The Japanese Wife Next Door” by Yuraka Ikesime is the most Americanized ‘pink’ film I have reviewed thus far. I mean this is term of its storyline. The female lead, Reiko Yamaguchi, is even berated for been too ‘Americanized’ in her view of sexuality. Perhaps this observation is best left up to the viewer’s individual <a href='http://wildsidecinema.com/2012/03/film-review-japanese-wife-next-door-inran-naru-ichizoku-dai-ni-sho-zetsurin-no-hate-ni-2004-sizzles-with-intense-neighborly-love/' class='excerpt-more'>[...]</a>]]></description>
		<wfw:commentRss>http://wildsidecinema.com/2012/03/film-review-japanese-wife-next-door-inran-naru-ichizoku-dai-ni-sho-zetsurin-no-hate-ni-2004-sizzles-with-intense-neighborly-love/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Film Review: Yôjirô Takita&#8217;s &#8216;Sexy Timetrip Ninjas&#8217; (Chikan densha: Gokuhi honban &#8211; 1984) Transports Viewers to a Deadlier, Sexier Time</title>
		<link>http://wildsidecinema.com/2012/03/film-review-yojiro-takitas-sexy-timetrip-ninjas-chikan-densha-gokuhi-honban-1984-transports-viewers-to-a-deadlier-sexier-time/</link>
		<comments>http://wildsidecinema.com/2012/03/film-review-yojiro-takitas-sexy-timetrip-ninjas-chikan-densha-gokuhi-honban-1984-transports-viewers-to-a-deadlier-sexier-time/#comments</comments>
		<pubDate>Thu, 08 Mar 2012 23:55:37 +0000</pubDate>
		<dc:creator>wildsidecinema</dc:creator>
				<category><![CDATA[Asian Cinema]]></category>
		<category><![CDATA[Erotic]]></category>
		<category><![CDATA[Exploitation]]></category>
		<category><![CDATA[Fantasy]]></category>
		<category><![CDATA[Japan]]></category>
		<category><![CDATA[Martial Arts]]></category>
		<category><![CDATA[Revenge]]></category>
		<category><![CDATA[Japan Flix]]></category>
		<category><![CDATA[Japanese Cinema]]></category>
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		<category><![CDATA[Japanese Softcore]]></category>
		<category><![CDATA[Period Piece]]></category>
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		<guid isPermaLink="false">http://wildsidecinema.com/?p=15312</guid>
		<description><![CDATA[This Japanese film of the ‘pink’ variety delivers what it promises. There is a ‘timetrip’, some ninjas, and some sex. As a film reviewer I often get caught up in the details and forget to have fun. This film is fun. Sure the sets are terrible, the acting ‘hammy’, and the story is not going <a href='http://wildsidecinema.com/2012/03/film-review-yojiro-takitas-sexy-timetrip-ninjas-chikan-densha-gokuhi-honban-1984-transports-viewers-to-a-deadlier-sexier-time/' class='excerpt-more'>[...]</a>]]></description>
		<wfw:commentRss>http://wildsidecinema.com/2012/03/film-review-yojiro-takitas-sexy-timetrip-ninjas-chikan-densha-gokuhi-honban-1984-transports-viewers-to-a-deadlier-sexier-time/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Film Review: Satô&#8217;s &#8216;New Tokyo Decadence: The Slave&#8217; (Dorei &#8211; 2007) Based on the True Story of a Journey into the Bondage Underworld</title>
		<link>http://wildsidecinema.com/2012/03/film-review-satos-new-tokyo-decadence-the-slave-dorei-2007-based-on-the-true-story-of-a-journey-into-the-bondage-underworld/</link>
		<comments>http://wildsidecinema.com/2012/03/film-review-satos-new-tokyo-decadence-the-slave-dorei-2007-based-on-the-true-story-of-a-journey-into-the-bondage-underworld/#comments</comments>
		<pubDate>Thu, 01 Mar 2012 19:19:07 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[Asian Cinema]]></category>
		<category><![CDATA[Erotic]]></category>
		<category><![CDATA[Japan]]></category>
		<category><![CDATA[Thriller]]></category>
		<category><![CDATA[2007]]></category>
		<category><![CDATA[Akira Fukuhara]]></category>
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		<category><![CDATA[Kikujiro Honda]]></category>
		<category><![CDATA[Osamu Satô]]></category>
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		<category><![CDATA[Yui]]></category>

		<guid isPermaLink="false">http://wildsidecinema.com/?p=15298</guid>
		<description><![CDATA[This is the tale of a woman masochist who becomes a slave for a master. The film begins with the main character, the beautiful Rina (Rinako Hirasawa), hanging from a tree in the middle of a field. She tells us of her life in a flashback. I am not normally a fan of stories told <a href='http://wildsidecinema.com/2012/03/film-review-satos-new-tokyo-decadence-the-slave-dorei-2007-based-on-the-true-story-of-a-journey-into-the-bondage-underworld/' class='excerpt-more'>[...]</a>]]></description>
		<wfw:commentRss>http://wildsidecinema.com/2012/03/film-review-satos-new-tokyo-decadence-the-slave-dorei-2007-based-on-the-true-story-of-a-journey-into-the-bondage-underworld/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Film Review: Kitazawa&#8217;s &#8216;Deep Contact&#8217; (Pin-saro byôin 2: Nô-pan joi &#8211; 1998) Combines Paranormal Sex with a Thrilling End-of-the-World Scenario</title>
		<link>http://wildsidecinema.com/2012/03/film-review-kitazawas-deep-contact-199-combines-paranormal-sex-with-a-thrilling-end-of-the-world-scenario/</link>
		<comments>http://wildsidecinema.com/2012/03/film-review-kitazawas-deep-contact-199-combines-paranormal-sex-with-a-thrilling-end-of-the-world-scenario/#comments</comments>
		<pubDate>Thu, 01 Mar 2012 18:00:18 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[Asian Cinema]]></category>
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		<category><![CDATA[Japan]]></category>
		<category><![CDATA[Sci-Fi]]></category>
		<category><![CDATA[1998]]></category>
		<category><![CDATA[Japan Flix]]></category>
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		<category><![CDATA[Yukio Kitazawa]]></category>

		<guid isPermaLink="false">http://wildsidecinema.com/?p=15291</guid>
		<description><![CDATA[1998’s “Deep Contact” directed by Yukio Kitazawa is very much a product of its time. The whole ‘feel’ of the film states it. The script was silly and the acting average for this type of thing. This is not a knock on the film by any means. On the contrary I found it most enjoyable, <a href='http://wildsidecinema.com/2012/03/film-review-kitazawas-deep-contact-199-combines-paranormal-sex-with-a-thrilling-end-of-the-world-scenario/' class='excerpt-more'>[...]</a>]]></description>
		<wfw:commentRss>http://wildsidecinema.com/2012/03/film-review-kitazawas-deep-contact-199-combines-paranormal-sex-with-a-thrilling-end-of-the-world-scenario/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Film Review: Shuji Kataoka&#8217;s &#8216;S&amp;M Hunter&#8217; (Kinbaku &#8211; 1986) Ropes Viewers in with Outrageous Exploitation Action</title>
		<link>http://wildsidecinema.com/2012/02/shuji-kataoka-sm-hunter-kinbaku-1986-pink-eiga-japan-flix-japanese-bondage-softcore-superhero/</link>
		<comments>http://wildsidecinema.com/2012/02/shuji-kataoka-sm-hunter-kinbaku-1986-pink-eiga-japan-flix-japanese-bondage-softcore-superhero/#comments</comments>
		<pubDate>Tue, 28 Feb 2012 23:09:48 +0000</pubDate>
		<dc:creator>Bennie Woodell</dc:creator>
				<category><![CDATA[Action]]></category>
		<category><![CDATA[Adventure]]></category>
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		<category><![CDATA[Rape/Revenge]]></category>
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		<category><![CDATA[1986]]></category>
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		<guid isPermaLink="false">http://wildsidecinema.com/?p=15286</guid>
		<description><![CDATA[After having viewed a few of Japans Pink films recently, I started to get an understanding of how the films generally looked and were made. S&#38;M Hunter thus far, has been the best all around Pink film I’ve seen to date from technical aspects to having a full, story. A man’s partner is kidnapped by <a href='http://wildsidecinema.com/2012/02/shuji-kataoka-sm-hunter-kinbaku-1986-pink-eiga-japan-flix-japanese-bondage-softcore-superhero/' class='excerpt-more'>[...]</a>]]></description>
		<wfw:commentRss>http://wildsidecinema.com/2012/02/shuji-kataoka-sm-hunter-kinbaku-1986-pink-eiga-japan-flix-japanese-bondage-softcore-superhero/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Film Review: &#8216;Whore Angels&#8217; (Pin-saro byôin 3: Nô-pan shinsatsushitsu &#8211; 2000) Promises Heaven but Cums Up Short</title>
		<link>http://wildsidecinema.com/2012/02/film-review-whore-angels-pin-saro-byoin-3-no-pan-shinsatsushitsu-2000-promises-heaven-but-cums-up-short/</link>
		<comments>http://wildsidecinema.com/2012/02/film-review-whore-angels-pin-saro-byoin-3-no-pan-shinsatsushitsu-2000-promises-heaven-but-cums-up-short/#comments</comments>
		<pubDate>Mon, 27 Feb 2012 01:25:13 +0000</pubDate>
		<dc:creator>Bennie Woodell</dc:creator>
				<category><![CDATA[Asian Cinema]]></category>
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		<category><![CDATA[2000]]></category>
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		<guid isPermaLink="false">http://wildsidecinema.com/?p=15260</guid>
		<description><![CDATA[A deal has been set in place between humans and God with keeping peace in the world, but the contract must be renewed every thousand years. At time of renewal, the devil, a funny looking demon with horns named Rock and Roll, tries to stop the deal from taking place by having sex with Monroe. <a href='http://wildsidecinema.com/2012/02/film-review-whore-angels-pin-saro-byoin-3-no-pan-shinsatsushitsu-2000-promises-heaven-but-cums-up-short/' class='excerpt-more'>[...]</a>]]></description>
		<wfw:commentRss>http://wildsidecinema.com/2012/02/film-review-whore-angels-pin-saro-byoin-3-no-pan-shinsatsushitsu-2000-promises-heaven-but-cums-up-short/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Film Review: &#8216;Sexy Battle Girls&#8217; (Nerawareta gakuen: seifuku o osou &#8211; 1986) Takes Softcore Porn to Exciting Heights with Anime-Style Action</title>
		<link>http://wildsidecinema.com/2012/02/sexy-battle-girls-nerawareta-gakuen-seifuku-o-osou-1986-pink-eiga-japan-porn-softcore-japan-flix-streaming/</link>
		<comments>http://wildsidecinema.com/2012/02/sexy-battle-girls-nerawareta-gakuen-seifuku-o-osou-1986-pink-eiga-japan-porn-softcore-japan-flix-streaming/#comments</comments>
		<pubDate>Thu, 23 Feb 2012 23:06:50 +0000</pubDate>
		<dc:creator>Bennie Woodell</dc:creator>
				<category><![CDATA[Action]]></category>
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		<category><![CDATA[Watanabe Mototsugu]]></category>

		<guid isPermaLink="false">http://wildsidecinema.com/?p=15255</guid>
		<description><![CDATA[In recent years, we’ve seen a lot of crazy films coming from Japan like Machine Girl and Tokyo Gore Police, that have upped the gore factor in cinema, but also make the audience anticipate the next “out there” idea they’re going to come up with. Surprisingly, 1986’s Sexy Battle Girls gave me some thrills in <a href='http://wildsidecinema.com/2012/02/sexy-battle-girls-nerawareta-gakuen-seifuku-o-osou-1986-pink-eiga-japan-porn-softcore-japan-flix-streaming/' class='excerpt-more'>[...]</a>]]></description>
		<wfw:commentRss>http://wildsidecinema.com/2012/02/sexy-battle-girls-nerawareta-gakuen-seifuku-o-osou-1986-pink-eiga-japan-porn-softcore-japan-flix-streaming/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Film Review: Daisuke Goto&#8217;s &#8216;Blind Love&#8217; (Waisetsu sutêji: Nando mo tsukkonde &#8211; 2005) Elevates Japanese Pink Cinema with Ventriloquism &amp; Love</title>
		<link>http://wildsidecinema.com/2012/02/film-review-daisuke-goto-blind-love-2005-japanese-pink-cinema-ventriloquism-love-japan-flix-pink-eiga/</link>
		<comments>http://wildsidecinema.com/2012/02/film-review-daisuke-goto-blind-love-2005-japanese-pink-cinema-ventriloquism-love-japan-flix-pink-eiga/#comments</comments>
		<pubDate>Wed, 22 Feb 2012 19:44:50 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[Asian Cinema]]></category>
		<category><![CDATA[Drama]]></category>
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		<guid isPermaLink="false">http://wildsidecinema.com/?p=15242</guid>
		<description><![CDATA[Let’s be honest. When I sat to review the 2005 ‘pink’ film “Blind Love”, written and directed by Daisuki Goto, I was expected the usual. A thinly plotted, poorly acted affair. What I got was a surprise. This is the story of a lonely man, a self -described “ventriloquist on the cutting edge”, who falls <a href='http://wildsidecinema.com/2012/02/film-review-daisuke-goto-blind-love-2005-japanese-pink-cinema-ventriloquism-love-japan-flix-pink-eiga/' class='excerpt-more'>[...]</a>]]></description>
		<wfw:commentRss>http://wildsidecinema.com/2012/02/film-review-daisuke-goto-blind-love-2005-japanese-pink-cinema-ventriloquism-love-japan-flix-pink-eiga/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Film Review: Shinya Tsukamoto Returns with Experimental Metal Actioner &#8216;Tetsuo &#8211; The Bullet Man&#8217; (2009)</title>
		<link>http://wildsidecinema.com/2011/12/shinya-tsukamoto-tetsuo-the-bullet-man-ifc-midnight-flesh-metal-sequel-joachim-andersson/</link>
		<comments>http://wildsidecinema.com/2011/12/shinya-tsukamoto-tetsuo-the-bullet-man-ifc-midnight-flesh-metal-sequel-joachim-andersson/#comments</comments>
		<pubDate>Fri, 16 Dec 2011 19:57:46 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
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		<guid isPermaLink="false">http://wildsidecinema.com/?p=14864</guid>
		<description><![CDATA[FINALLY! The Iron man is back! With a vengeance! And in&#8230; English? WTF? Then again, we always knew that if there was another Tetsuo movie there would be lots of WTFs. Twenty-two years after the original Tetsuo and nineteen after the sequel, Shinya Tsukamoto finally returns to the wonders of biomechanical psychopathics and more loving <a href='http://wildsidecinema.com/2011/12/shinya-tsukamoto-tetsuo-the-bullet-man-ifc-midnight-flesh-metal-sequel-joachim-andersson/' class='excerpt-more'>[...]</a>]]></description>
		<wfw:commentRss>http://wildsidecinema.com/2011/12/shinya-tsukamoto-tetsuo-the-bullet-man-ifc-midnight-flesh-metal-sequel-joachim-andersson/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Film Review: Nishimura&#8217;s &#8216;Helldriver&#8217; (2010) Drives Levels of Splatter &amp; Comedy to New Heights</title>
		<link>http://wildsidecinema.com/2011/11/yoshihiro-nishimura-helldriver-japanese-zombies-splatter-comedy-well-go-usa-blu-ray-disc/</link>
		<comments>http://wildsidecinema.com/2011/11/yoshihiro-nishimura-helldriver-japanese-zombies-splatter-comedy-well-go-usa-blu-ray-disc/#comments</comments>
		<pubDate>Tue, 22 Nov 2011 22:29:24 +0000</pubDate>
		<dc:creator>Brian Harris</dc:creator>
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		<category><![CDATA[Well Go USA]]></category>
		<category><![CDATA[Yumiko Hara]]></category>

		<guid isPermaLink="false">http://wildsidecinema.com/?p=14806</guid>
		<description><![CDATA[After a meteorite makes impact with Japan, it sends alien spores into the atmosphere, infecting humans with a virus that mutates them into flesh-eating fiends with little horns protruding from their foreheads. Japan, as the world knows it, ceases to exist and in its place is an island nation divided into two parts by a <a href='http://wildsidecinema.com/2011/11/yoshihiro-nishimura-helldriver-japanese-zombies-splatter-comedy-well-go-usa-blu-ray-disc/' class='excerpt-more'>[...]</a>]]></description>
		<wfw:commentRss>http://wildsidecinema.com/2011/11/yoshihiro-nishimura-helldriver-japanese-zombies-splatter-comedy-well-go-usa-blu-ray-disc/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Film Review: Miike&#8217;s &#8216;Imprint&#8217; (Revisited &#8211; 2006) Gives Showtime Ent. &amp; Cable TV Weak Knees with Disturbing Content</title>
		<link>http://wildsidecinema.com/2011/11/takashi-miike-moh-imprint-2006-revisited-torture-asian-horror-sadomasochism/</link>
		<comments>http://wildsidecinema.com/2011/11/takashi-miike-moh-imprint-2006-revisited-torture-asian-horror-sadomasochism/#comments</comments>
		<pubDate>Sun, 20 Nov 2011 00:57:34 +0000</pubDate>
		<dc:creator>Bennie Woodell</dc:creator>
				<category><![CDATA[Asian Cinema]]></category>
		<category><![CDATA[B. Woodell]]></category>
		<category><![CDATA[Extreme]]></category>
		<category><![CDATA[Horror]]></category>
		<category><![CDATA[Japan]]></category>
		<category><![CDATA[Takashi Miike]]></category>
		<category><![CDATA[Television]]></category>
		<category><![CDATA[2006]]></category>
		<category><![CDATA[Banned]]></category>
		<category><![CDATA[Cable TV]]></category>
		<category><![CDATA[Masters of Horror]]></category>

		<guid isPermaLink="false">http://wildsidecinema.com/?p=14779</guid>
		<description><![CDATA[Takashi Miike is one of those directors where if he makes something brilliant, it’s brilliant. If he makes something horrible, it’s torture to sit through. But then there’s films he makes, that you have no idea what to make of them, or have an inkling to the way you feel about what you’re watching. Imprint, <a href='http://wildsidecinema.com/2011/11/takashi-miike-moh-imprint-2006-revisited-torture-asian-horror-sadomasochism/' class='excerpt-more'>[...]</a>]]></description>
		<wfw:commentRss>http://wildsidecinema.com/2011/11/takashi-miike-moh-imprint-2006-revisited-torture-asian-horror-sadomasochism/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Film Review: Yamamoto&#8217;s &#8216;Vampire Doll&#8217; (Chi wo sû ningyô: Yûrei yashiki no kyôfu &#8211; 1970) Chills to the Bone with Gorgeous Visuals</title>
		<link>http://wildsidecinema.com/2011/10/film-review-yamamotos-vampire-doll-chi-wo-su-ningyo-yurei-yashiki-no-kyofu-1970-chills-to-the-bone-with-gorgeous-visuals/</link>
		<comments>http://wildsidecinema.com/2011/10/film-review-yamamotos-vampire-doll-chi-wo-su-ningyo-yurei-yashiki-no-kyofu-1970-chills-to-the-bone-with-gorgeous-visuals/#comments</comments>
		<pubDate>Sun, 30 Oct 2011 04:13:13 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[Asian Cinema]]></category>
		<category><![CDATA[Horror]]></category>
		<category><![CDATA[J. Andersson]]></category>
		<category><![CDATA[Japan]]></category>
		<category><![CDATA[Vampires]]></category>
		<category><![CDATA[1970]]></category>
		<category><![CDATA[Fear of the Ghost House: Bloodsucking Doll]]></category>
		<category><![CDATA[Gothic]]></category>
		<category><![CDATA[Japanese Cinema]]></category>
		<category><![CDATA[Joachim Andersson]]></category>
		<category><![CDATA[Jun Hamamura]]></category>
		<category><![CDATA[Michio Yamamoto]]></category>
		<category><![CDATA[Rubbermonsterfetishism]]></category>

		<guid isPermaLink="false">http://wildsidecinema.com/?p=14614</guid>
		<description><![CDATA[A young man travels to the countryside to meet his fiancé, Yuko. When he arrives at the secluded house he is told by her mother that she has died in a car accident. He spends the night at the house and hears some strange sounds at night, even seeing someone that looks just like his <a href='http://wildsidecinema.com/2011/10/film-review-yamamotos-vampire-doll-chi-wo-su-ningyo-yurei-yashiki-no-kyofu-1970-chills-to-the-bone-with-gorgeous-visuals/' class='excerpt-more'>[...]</a>]]></description>
		<wfw:commentRss>http://wildsidecinema.com/2011/10/film-review-yamamotos-vampire-doll-chi-wo-su-ningyo-yurei-yashiki-no-kyofu-1970-chills-to-the-bone-with-gorgeous-visuals/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Film Review: Kitano Revisits the Yakuza Lifestyle with &#8216;Outrage&#8217; (Ôtomo &#8211; 2010)</title>
		<link>http://wildsidecinema.com/2011/10/beat-takeshi-outrage-2010-yakuza-cinema/</link>
		<comments>http://wildsidecinema.com/2011/10/beat-takeshi-outrage-2010-yakuza-cinema/#comments</comments>
		<pubDate>Fri, 28 Oct 2011 20:37:31 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[Asian Cinema]]></category>
		<category><![CDATA[Crime]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[J. Andersson]]></category>
		<category><![CDATA[Japan]]></category>
		<category><![CDATA[Takeshi Kitano]]></category>
		<category><![CDATA[Thriller]]></category>
		<category><![CDATA[2010]]></category>
		<category><![CDATA[Beat Takeshi]]></category>
		<category><![CDATA[Crime Drama]]></category>
		<category><![CDATA[Gangs]]></category>
		<category><![CDATA[Japanese Cinema]]></category>
		<category><![CDATA[Joachim Andersson]]></category>
		<category><![CDATA[Murder]]></category>
		<category><![CDATA[Yakuza]]></category>

		<guid isPermaLink="false">http://wildsidecinema.com/?p=14591</guid>
		<description><![CDATA[Beat Takeshi goes back to his roots, eh? Outrage is truly a &#8220;classic&#8221; Yakuza tale, featuring several groups of gangsters being played out against each other by the top dog, and sadly, that is about it. The first 30-40 minutes of this movie aren’t exactly what I would describe as entertaining, it is just a <a href='http://wildsidecinema.com/2011/10/beat-takeshi-outrage-2010-yakuza-cinema/' class='excerpt-more'>[...]</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Film Review: Nishimura&#8217;s &#8216;Vampire Girl vs Frankenstein Girl&#8217; (Revisited &#8211; 2009) Offers Gore Galore &amp; More</title>
		<link>http://wildsidecinema.com/2011/05/vampire-girls-versus-frankenstein-girl-revisited-2009-nishimura-gore-japanese-indie-horror/</link>
		<comments>http://wildsidecinema.com/2011/05/vampire-girls-versus-frankenstein-girl-revisited-2009-nishimura-gore-japanese-indie-horror/#comments</comments>
		<pubDate>Mon, 09 May 2011 02:50:42 +0000</pubDate>
		<dc:creator>Jude Felton</dc:creator>
				<category><![CDATA[Action]]></category>
		<category><![CDATA[Asian Cinema]]></category>
		<category><![CDATA[Exploitation]]></category>
		<category><![CDATA[Extreme]]></category>
		<category><![CDATA[Fantasy]]></category>
		<category><![CDATA[Horror]]></category>
		<category><![CDATA[J. Felton]]></category>
		<category><![CDATA[Japan]]></category>
		<category><![CDATA[Martial Arts]]></category>
		<category><![CDATA[Sci-Fi]]></category>
		<category><![CDATA[Zombies]]></category>
		<category><![CDATA[2009]]></category>
		<category><![CDATA[Gore]]></category>
		<category><![CDATA[Indie Horror]]></category>
		<category><![CDATA[Japanese Cinema]]></category>
		<category><![CDATA[Japanese Horror]]></category>
		<category><![CDATA[Nishimura]]></category>

		<guid isPermaLink="false">http://wildsidecinema.com/?p=12074</guid>
		<description><![CDATA[Within seconds of this movie starting a freakish looking girl gets her head peeled by a disembodied skull. If that doesn&#8217;t make you want to see more of this then you are probably already dead. Either that or warped over the top Japanese splatter isn&#8217;t your cup of tea. This opening scene sets the tone <a href='http://wildsidecinema.com/2011/05/vampire-girls-versus-frankenstein-girl-revisited-2009-nishimura-gore-japanese-indie-horror/' class='excerpt-more'>[...]</a>]]></description>
		<wfw:commentRss>http://wildsidecinema.com/2011/05/vampire-girls-versus-frankenstein-girl-revisited-2009-nishimura-gore-japanese-indie-horror/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Film Review: ‘Bayshore Route Battle: Skyline Legend’ (2009) Beats Fast Five to the Finish Line</title>
		<link>http://wildsidecinema.com/2011/04/masashi-omino-bayshore-route-battle-skyline-legend-drifting-euro-racing-japanese-action-japan-flix/</link>
		<comments>http://wildsidecinema.com/2011/04/masashi-omino-bayshore-route-battle-skyline-legend-drifting-euro-racing-japanese-action-japan-flix/#comments</comments>
		<pubDate>Sat, 23 Apr 2011 03:38:39 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[Action]]></category>
		<category><![CDATA[Asian Cinema]]></category>
		<category><![CDATA[B. Woodell]]></category>
		<category><![CDATA[Japan]]></category>
		<category><![CDATA[Chase Film]]></category>
		<category><![CDATA[Drifting]]></category>
		<category><![CDATA[Japan Flix]]></category>
		<category><![CDATA[Japanese Cinema]]></category>
		<category><![CDATA[Kai Shishido]]></category>
		<category><![CDATA[Masashi Omino]]></category>
		<category><![CDATA[Otsuru Gitan]]></category>
		<category><![CDATA[Racing]]></category>

		<guid isPermaLink="false">http://wildsidecinema.com/?p=12318</guid>
		<description><![CDATA[Bayshore Battle Route Skyline Legend on the surface is about fast cars but is really a film that deals with never giving up the dreams of your youth. Toru’s wife Aiko, recently passed away and he goes see some friends from the days when he was younger and raced on the Bayshore and catch up <a href='http://wildsidecinema.com/2011/04/masashi-omino-bayshore-route-battle-skyline-legend-drifting-euro-racing-japanese-action-japan-flix/' class='excerpt-more'>[...]</a>]]></description>
		<wfw:commentRss>http://wildsidecinema.com/2011/04/masashi-omino-bayshore-route-battle-skyline-legend-drifting-euro-racing-japanese-action-japan-flix/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
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