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	<title>Wildside Cinema &#187; Crime</title>
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	<link>http://wildsidecinema.com</link>
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		<title>Film Review: &#8216;Agneepath&#8217; (Path of Fire &#8211; 2012) Sets Bollywood Ablaze with a Smoldering Tale of Revenge</title>
		<link>http://wildsidecinema.com/2012/01/film-review-agneepath-2012-sets-bollywood-ablase-with-a-smoldering-tale-of-revenge/</link>
		<comments>http://wildsidecinema.com/2012/01/film-review-agneepath-2012-sets-bollywood-ablase-with-a-smoldering-tale-of-revenge/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 04:05:22 +0000</pubDate>
		<dc:creator>Bennie Woodell</dc:creator>
				<category><![CDATA[Action]]></category>
		<category><![CDATA[Asian Cinema]]></category>
		<category><![CDATA[B. Woodell]]></category>
		<category><![CDATA[Bollywood]]></category>
		<category><![CDATA[Crime]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[India]]></category>
		<category><![CDATA[Revenge]]></category>
		<category><![CDATA[Thriller]]></category>
		<category><![CDATA[2012]]></category>
		<category><![CDATA[Action Cinema]]></category>
		<category><![CDATA[Dancing]]></category>
		<category><![CDATA[Indian Cinema]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[Revenge Story]]></category>

		<guid isPermaLink="false">http://wildsidecinema.com/?p=15156</guid>
		<description><![CDATA[Bollywood has started 2012 with a vengeance, literally, with Agneepath, a remake of a 1990 film. It includes everything you would expect from Indian cinema; romance, action, elaborate dance sequences, and lush colors, only this film has so much more violence and heartache. As a child, Vijay’s father tries to talk the townsfolk of a <a href='http://wildsidecinema.com/2012/01/film-review-agneepath-2012-sets-bollywood-ablase-with-a-smoldering-tale-of-revenge/'>[...]</a>]]></description>
		<wfw:commentRss>http://wildsidecinema.com/2012/01/film-review-agneepath-2012-sets-bollywood-ablase-with-a-smoldering-tale-of-revenge/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Film Review: Song&#8217;s &#8216;A Better Tomorrow&#8217; (2010) Remake Respectfully Spins Woo&#8217;s Masterpiece into Successful South Korean Crime Cinema</title>
		<link>http://wildsidecinema.com/2011/11/film-review-songs-a-better-tomorrow-2010-remake/</link>
		<comments>http://wildsidecinema.com/2011/11/film-review-songs-a-better-tomorrow-2010-remake/#comments</comments>
		<pubDate>Wed, 23 Nov 2011 02:46:56 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[Action]]></category>
		<category><![CDATA[Asian Cinema]]></category>
		<category><![CDATA[B. Harris]]></category>
		<category><![CDATA[B. Woodell]]></category>
		<category><![CDATA[Bollywood]]></category>
		<category><![CDATA[Crime]]></category>
		<category><![CDATA[John Woo]]></category>
		<category><![CDATA[S. Korea]]></category>
		<category><![CDATA[Thriller]]></category>
		<category><![CDATA[2011]]></category>
		<category><![CDATA[Blu-ray Disc]]></category>
		<category><![CDATA[Criminals]]></category>
		<category><![CDATA[Guns]]></category>
		<category><![CDATA[Hae-sung Song]]></category>
		<category><![CDATA[Joint Review]]></category>
		<category><![CDATA[Well Go USA]]></category>

		<guid isPermaLink="false">http://wildsidecinema.com/?p=14813</guid>
		<description><![CDATA[Throughout the years, there are a handful of films that are made that are truly game changers. Films that not only stand the test of time, but also redefine genres and how future filmmakers hone their own craft. John Woo’s 1986 masterpiece, A Better Tomorrow is one of those films. So much of the way <a href='http://wildsidecinema.com/2011/11/film-review-songs-a-better-tomorrow-2010-remake/'>[...]</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Film Review: Full Moon&#8217;s &#8216;Savage Island&#8217; (1985) is a Chopped-Up, Wipped-Out Sleaze Fest</title>
		<link>http://wildsidecinema.com/2011/11/film-review-full-moons-savage-island-1985-is-a-chopped-up-wipped-out-sleaze-fest/</link>
		<comments>http://wildsidecinema.com/2011/11/film-review-full-moons-savage-island-1985-is-a-chopped-up-wipped-out-sleaze-fest/#comments</comments>
		<pubDate>Thu, 17 Nov 2011 23:06:43 +0000</pubDate>
		<dc:creator>Brian Harris</dc:creator>
				<category><![CDATA[Action]]></category>
		<category><![CDATA[Adventure]]></category>
		<category><![CDATA[B. Harris]]></category>
		<category><![CDATA[Crime]]></category>
		<category><![CDATA[Exploitation]]></category>
		<category><![CDATA[Full Moon]]></category>
		<category><![CDATA[Italy]]></category>
		<category><![CDATA[Revenge]]></category>
		<category><![CDATA[1980]]></category>
		<category><![CDATA[1985]]></category>
		<category><![CDATA[Charles Band]]></category>
		<category><![CDATA[Edoardo Mulgaria]]></category>
		<category><![CDATA[Full Moon Pictures]]></category>
		<category><![CDATA[Linda Blair]]></category>
		<category><![CDATA[W.I.P.]]></category>

		<guid isPermaLink="false">http://wildsidecinema.com/?p=14756</guid>
		<description><![CDATA[When the gorgeous Daly makes an appointment to see a shady jewel dealer named Luker (as in filthy?), she has no intention of purchasing precious gems, she&#8217;s out for cold-hard revenge. Armed with righteous fury and a machine gun, Daly weaves a tale of terror on a jungle island that Luker will never forget! Let&#8217;s <a href='http://wildsidecinema.com/2011/11/film-review-full-moons-savage-island-1985-is-a-chopped-up-wipped-out-sleaze-fest/'>[...]</a>]]></description>
		<wfw:commentRss>http://wildsidecinema.com/2011/11/film-review-full-moons-savage-island-1985-is-a-chopped-up-wipped-out-sleaze-fest/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Film Review: Kitano Revisits the Yakuza Lifestyle with &#8216;Outrage&#8217; (Ôtomo &#8211; 2010)</title>
		<link>http://wildsidecinema.com/2011/10/beat-takeshi-outrage-2010-yakuza-cinema/</link>
		<comments>http://wildsidecinema.com/2011/10/beat-takeshi-outrage-2010-yakuza-cinema/#comments</comments>
		<pubDate>Fri, 28 Oct 2011 20:37:31 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[Asian Cinema]]></category>
		<category><![CDATA[Crime]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[J. Andersson]]></category>
		<category><![CDATA[Japan]]></category>
		<category><![CDATA[Takeshi Kitano]]></category>
		<category><![CDATA[Thriller]]></category>
		<category><![CDATA[2010]]></category>
		<category><![CDATA[Beat Takeshi]]></category>
		<category><![CDATA[Crime Drama]]></category>
		<category><![CDATA[Gangs]]></category>
		<category><![CDATA[Japanese Cinema]]></category>
		<category><![CDATA[Joachim Andersson]]></category>
		<category><![CDATA[Murder]]></category>
		<category><![CDATA[Yakuza]]></category>

		<guid isPermaLink="false">http://wildsidecinema.com/?p=14591</guid>
		<description><![CDATA[Beat Takeshi goes back to his roots, eh? Outrage is truly a &#8220;classic&#8221; Yakuza tale, featuring several groups of gangsters being played out against each other by the top dog, and sadly, that is about it. The first 30-40 minutes of this movie aren’t exactly what I would describe as entertaining, it is just a <a href='http://wildsidecinema.com/2011/10/beat-takeshi-outrage-2010-yakuza-cinema/'>[...]</a>]]></description>
		<wfw:commentRss>http://wildsidecinema.com/2011/10/beat-takeshi-outrage-2010-yakuza-cinema/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Film Review: Bickert&#8217;s &#8216;Dear God No!&#8217; (2011) Offers Nothing but Gratuitous Sleaze &amp; Ultra Violence (It&#8217;s Awesome)</title>
		<link>http://wildsidecinema.com/2011/10/james-bickert-dear-god-no-exploitation-bikers-rape/</link>
		<comments>http://wildsidecinema.com/2011/10/james-bickert-dear-god-no-exploitation-bikers-rape/#comments</comments>
		<pubDate>Fri, 21 Oct 2011 15:35:03 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[Action]]></category>
		<category><![CDATA[Crime]]></category>
		<category><![CDATA[Exploitation]]></category>
		<category><![CDATA[Horror]]></category>
		<category><![CDATA[Revenge]]></category>
		<category><![CDATA[T. Strauss]]></category>
		<category><![CDATA[2011]]></category>
		<category><![CDATA[Fauxsploitation]]></category>
		<category><![CDATA[Grindhouse]]></category>
		<category><![CDATA[PollyGrind]]></category>

		<guid isPermaLink="false">http://wildsidecinema.com/?p=14415</guid>
		<description><![CDATA[While I was waiting outside the theater waiting to be let in for the Las Vegas PollyGrind Festival screening of Dear God No!, a hairy, drunken, tattooed biker detached himself from a large group of hairy, drunken tattooed bikers and staggered over to me. He threw his arm around my shoulders and slurred, “You’re a <a href='http://wildsidecinema.com/2011/10/james-bickert-dear-god-no-exploitation-bikers-rape/'>[...]</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Film Review: Nicolas Winding Refn&#8217;s Hard-Hitting Thrill Ride &#8216;Drive&#8217; (2011) Leaves Critics and Fans Floored</title>
		<link>http://wildsidecinema.com/2011/09/nicolas-winding-refns-drive-2011/</link>
		<comments>http://wildsidecinema.com/2011/09/nicolas-winding-refns-drive-2011/#comments</comments>
		<pubDate>Fri, 23 Sep 2011 03:22:55 +0000</pubDate>
		<dc:creator>Bennie Woodell</dc:creator>
				<category><![CDATA[Action]]></category>
		<category><![CDATA[B. Woodell]]></category>
		<category><![CDATA[Crime]]></category>
		<category><![CDATA[2011]]></category>
		<category><![CDATA[Nicolas Winding Refn]]></category>
		<category><![CDATA[Ron Pearlman]]></category>
		<category><![CDATA[Ryan Gossling]]></category>

		<guid isPermaLink="false">http://wildsidecinema.com/?p=14033</guid>
		<description><![CDATA[This past April the opening scene of Drive was released online for all to see and get excited about it’s release. It worked, because when the clip ended my jaw was wide open and all I could say was, “I want more.” Fast forward to the 2011 Cannes Film Festival where Nicolas Winding Refn won <a href='http://wildsidecinema.com/2011/09/nicolas-winding-refns-drive-2011/'>[...]</a>]]></description>
		<wfw:commentRss>http://wildsidecinema.com/2011/09/nicolas-winding-refns-drive-2011/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>Film Review: Saldana Sizzles as a Sexy Assassin in &#8216;Colombiana&#8217; (2011)</title>
		<link>http://wildsidecinema.com/2011/08/film-review-saldana-sizzles-as-a-sexy-assassin-in-colombiana-2011/</link>
		<comments>http://wildsidecinema.com/2011/08/film-review-saldana-sizzles-as-a-sexy-assassin-in-colombiana-2011/#comments</comments>
		<pubDate>Sat, 27 Aug 2011 20:58:49 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[Action]]></category>
		<category><![CDATA[B. Woodell]]></category>
		<category><![CDATA[Crime]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Revenge]]></category>
		<category><![CDATA[2011]]></category>
		<category><![CDATA[Callum Blue]]></category>
		<category><![CDATA[Colombia]]></category>
		<category><![CDATA[Female Assassin]]></category>
		<category><![CDATA[Luc Besson]]></category>
		<category><![CDATA[Murder]]></category>
		<category><![CDATA[Violence]]></category>
		<category><![CDATA[Zoe Saldana]]></category>

		<guid isPermaLink="false">http://wildsidecinema.com/?p=13836</guid>
		<description><![CDATA[Never forget where you came from.” The words spoken to Cataleya (Zoe Saldana) by her father when she was a child, resonate throughout Colombiana with each bullet fired by the revenge fueled heroine. At the tender age of nine, Cataleya witnesses her parents massacred by her father’s partner in crime’s men. Before the men arrive, <a href='http://wildsidecinema.com/2011/08/film-review-saldana-sizzles-as-a-sexy-assassin-in-colombiana-2011/'>[...]</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Film Review: &#8216;The Super&#8217; (2010) Brings Grime Back to Indie Cinema &amp; Exploitation Junkies</title>
		<link>http://wildsidecinema.com/2011/06/evan-makrogiannis-brian-weaver-the-super-2010-brandon-slagle-ruby-larocca-manoush-lynn-lowry-horror-exploitation-nyc-indie/</link>
		<comments>http://wildsidecinema.com/2011/06/evan-makrogiannis-brian-weaver-the-super-2010-brandon-slagle-ruby-larocca-manoush-lynn-lowry-horror-exploitation-nyc-indie/#comments</comments>
		<pubDate>Sat, 25 Jun 2011 06:53:49 +0000</pubDate>
		<dc:creator>Webmaster</dc:creator>
				<category><![CDATA[Crime]]></category>
		<category><![CDATA[Exploitation]]></category>
		<category><![CDATA[Horror]]></category>
		<category><![CDATA[Revenge]]></category>
		<category><![CDATA[T. Strauss]]></category>
		<category><![CDATA[Thriller]]></category>
		<category><![CDATA[Brian Weaver]]></category>
		<category><![CDATA[Demetri Kallas]]></category>
		<category><![CDATA[Drugs]]></category>
		<category><![CDATA[Evan Makrogiannis]]></category>
		<category><![CDATA[Grindhouse Cinema]]></category>
		<category><![CDATA[Indie Film]]></category>
		<category><![CDATA[Lynn Lowry]]></category>
		<category><![CDATA[Manoush]]></category>
		<category><![CDATA[Noose Hill Entertainment]]></category>
		<category><![CDATA[Racism]]></category>
		<category><![CDATA[Ron Braunstein]]></category>
		<category><![CDATA[Ruby Larocca]]></category>
		<category><![CDATA[Sleaze]]></category>
		<category><![CDATA[Tony Strauss]]></category>

		<guid isPermaLink="false">http://wildsidecinema.com/?p=13403</guid>
		<description><![CDATA[George Rossi (Demetri Kallas) is a Vietnam vet who lives in Astoria Queens, and is the super of an apartment building that has been in his family for over 40 years. It’s a station he’s proud of, and he treats his tenants with respect and warmth, trying to provide the best life possible for his <a href='http://wildsidecinema.com/2011/06/evan-makrogiannis-brian-weaver-the-super-2010-brandon-slagle-ruby-larocca-manoush-lynn-lowry-horror-exploitation-nyc-indie/'>[...]</a>]]></description>
		<wfw:commentRss>http://wildsidecinema.com/2011/06/evan-makrogiannis-brian-weaver-the-super-2010-brandon-slagle-ruby-larocca-manoush-lynn-lowry-horror-exploitation-nyc-indie/feed/</wfw:commentRss>
		<slash:comments>6</slash:comments>
		</item>
		<item>
		<title>Film Review: Woodell&#8217;s &#8216;The Sad Cafe&#8217; (2011) &#8211; Death and Romance Collide in a Hail of Bullets</title>
		<link>http://wildsidecinema.com/2011/06/bennie-woodell-sad-cafe-bradley-fowler-katie-lanigan-hong-kong-style-action-romance-drama-jiang-hu/</link>
		<comments>http://wildsidecinema.com/2011/06/bennie-woodell-sad-cafe-bradley-fowler-katie-lanigan-hong-kong-style-action-romance-drama-jiang-hu/#comments</comments>
		<pubDate>Tue, 14 Jun 2011 21:37:09 +0000</pubDate>
		<dc:creator>jin</dc:creator>
				<category><![CDATA[Action]]></category>
		<category><![CDATA[Crime]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[J. Kayy]]></category>
		<category><![CDATA[Martial Arts]]></category>
		<category><![CDATA[Revenge]]></category>
		<category><![CDATA[Thriller]]></category>
		<category><![CDATA[2011]]></category>
		<category><![CDATA[Bennie Woodell]]></category>
		<category><![CDATA[Bradley Fowler]]></category>
		<category><![CDATA[Hitmen]]></category>
		<category><![CDATA[Hong Kong Cinema]]></category>
		<category><![CDATA[Jiang Hu Productions]]></category>
		<category><![CDATA[Jin]]></category>
		<category><![CDATA[Low Budget Drama]]></category>
		<category><![CDATA[Mafia]]></category>
		<category><![CDATA[Romance]]></category>

		<guid isPermaLink="false">http://wildsidecinema.com/?p=13072</guid>
		<description><![CDATA[The Sad Cafe is a dynamic action thriller from visionary young director Bennie Woodell and it follows the story of Jack, a hitman in a gritty world where life and death, love and hatred carry a high price. As Jack begins falling in love with a young waitress named Rose at a small cafe he <a href='http://wildsidecinema.com/2011/06/bennie-woodell-sad-cafe-bradley-fowler-katie-lanigan-hong-kong-style-action-romance-drama-jiang-hu/'>[...]</a>]]></description>
		<wfw:commentRss>http://wildsidecinema.com/2011/06/bennie-woodell-sad-cafe-bradley-fowler-katie-lanigan-hong-kong-style-action-romance-drama-jiang-hu/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Film Review: Flynn&#8217;s &#8216;Defiance&#8217; (1980) Remains True to Rolling Thunder&#8217;s Theme of Revenge</title>
		<link>http://wildsidecinema.com/2011/05/john-flynn-defiance-1980-jan-michael-vincent-danny-aiello-street-gang-crime-thriller/</link>
		<comments>http://wildsidecinema.com/2011/05/john-flynn-defiance-1980-jan-michael-vincent-danny-aiello-street-gang-crime-thriller/#comments</comments>
		<pubDate>Wed, 18 May 2011 14:00:50 +0000</pubDate>
		<dc:creator>Brian Harris</dc:creator>
				<category><![CDATA[Action]]></category>
		<category><![CDATA[B. Harris]]></category>
		<category><![CDATA[Crime]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Exploitation]]></category>
		<category><![CDATA[Revenge]]></category>
		<category><![CDATA[Thriller]]></category>
		<category><![CDATA[1980]]></category>
		<category><![CDATA[Gang Violence]]></category>
		<category><![CDATA[John Flynn]]></category>
		<category><![CDATA[MGM]]></category>
		<category><![CDATA[Street Crime]]></category>

		<guid isPermaLink="false">http://wildsidecinema.com/?p=12705</guid>
		<description><![CDATA[Tommy Gamble, a seaman on suspension, finds himself grounded indefinitely in New York City as he awaits word from his union when his next departure might be. Wasting no time securing a small apartment in a crime-infested slum and making friends with some of the residents, Tommy ends up running afoul of the neighborhood street <a href='http://wildsidecinema.com/2011/05/john-flynn-defiance-1980-jan-michael-vincent-danny-aiello-street-gang-crime-thriller/'>[...]</a>]]></description>
		<wfw:commentRss>http://wildsidecinema.com/2011/05/john-flynn-defiance-1980-jan-michael-vincent-danny-aiello-street-gang-crime-thriller/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Film Review: &#8216;Run! Bitch Run!&#8217; (Revisited &#8211; 2009) &#8211; They Know Just How to Find You</title>
		<link>http://wildsidecinema.com/2011/05/run-bitch-run-rape-revenge-vicious-circle-breaking-glass-pictures-exploitation/</link>
		<comments>http://wildsidecinema.com/2011/05/run-bitch-run-rape-revenge-vicious-circle-breaking-glass-pictures-exploitation/#comments</comments>
		<pubDate>Mon, 09 May 2011 02:51:25 +0000</pubDate>
		<dc:creator>Jude Felton</dc:creator>
				<category><![CDATA[Crime]]></category>
		<category><![CDATA[Exploitation]]></category>
		<category><![CDATA[Extreme]]></category>
		<category><![CDATA[J. Felton]]></category>
		<category><![CDATA[Rape/Revenge]]></category>
		<category><![CDATA[Revenge]]></category>
		<category><![CDATA[Breaking Glass Pictures]]></category>
		<category><![CDATA[Drugs]]></category>
		<category><![CDATA[Murder]]></category>
		<category><![CDATA[Rape]]></category>
		<category><![CDATA[Schoolgirls]]></category>
		<category><![CDATA[Sex]]></category>
		<category><![CDATA[Sexual Slavery]]></category>
		<category><![CDATA[Vicious Circle]]></category>

		<guid isPermaLink="false">http://wildsidecinema.com/?p=12076</guid>
		<description><![CDATA[The rape/revenge sub-genre is a strange beast, one that has always courted controversy. Movies such as I Spit on Your Grave, Ms.45 and Thriller: They Call Her One Eye, from the 70s and 80s, up to more recent efforts such as Torched or the big budget remake of The Last House on the Left. Are <a href='http://wildsidecinema.com/2011/05/run-bitch-run-rape-revenge-vicious-circle-breaking-glass-pictures-exploitation/'>[...]</a>]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Film Review: Jeong-beom Lee&#8217;s &#8216;The Man From Nowhere&#8217; (2010) Demolishes Korean Box Office Numbers</title>
		<link>http://wildsidecinema.com/2011/05/jeong-beom-lee-the-man-from-nowhere-2010-well-go-usa-south-korean-crime-action/</link>
		<comments>http://wildsidecinema.com/2011/05/jeong-beom-lee-the-man-from-nowhere-2010-well-go-usa-south-korean-crime-action/#comments</comments>
		<pubDate>Thu, 05 May 2011 15:04:02 +0000</pubDate>
		<dc:creator>Jude Felton</dc:creator>
				<category><![CDATA[Action]]></category>
		<category><![CDATA[Asian Cinema]]></category>
		<category><![CDATA[Crime]]></category>
		<category><![CDATA[J. Felton]]></category>
		<category><![CDATA[S. Korea]]></category>
		<category><![CDATA[Thriller]]></category>
		<category><![CDATA[2010]]></category>
		<category><![CDATA[Criminals]]></category>
		<category><![CDATA[Jeong-beom Lee]]></category>
		<category><![CDATA[Kidnapping]]></category>
		<category><![CDATA[Well Go USA]]></category>

		<guid isPermaLink="false">http://wildsidecinema.com/?p=11734</guid>
		<description><![CDATA[When it comes to exciting new releases in the world of cinema it seems that Korea is right up there with the best of them. Year after year we are treated to wonderful movies that just demand to be seen. From the Vengeance trilogy (Sympathy for Mr. Vengeance, Oldboy and Lady Vengeance) and Memories of <a href='http://wildsidecinema.com/2011/05/jeong-beom-lee-the-man-from-nowhere-2010-well-go-usa-south-korean-crime-action/'>[...]</a>]]></description>
		<wfw:commentRss>http://wildsidecinema.com/2011/05/jeong-beom-lee-the-man-from-nowhere-2010-well-go-usa-south-korean-crime-action/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Film Review: Eisner&#8217;s &#8216;Hobo with a Shotgun&#8217; (2010) Blasts Audiences from their Seats</title>
		<link>http://wildsidecinema.com/2011/04/movie-review-eisners-hobo-with-a-shotgun-2010-blasts-audiences-from-their-seats/</link>
		<comments>http://wildsidecinema.com/2011/04/movie-review-eisners-hobo-with-a-shotgun-2010-blasts-audiences-from-their-seats/#comments</comments>
		<pubDate>Wed, 20 Apr 2011 15:33:13 +0000</pubDate>
		<dc:creator>Jude Felton</dc:creator>
				<category><![CDATA[Action]]></category>
		<category><![CDATA[Crime]]></category>
		<category><![CDATA[Exploitation]]></category>
		<category><![CDATA[J. Felton]]></category>
		<category><![CDATA[Revenge]]></category>
		<category><![CDATA[2010]]></category>
		<category><![CDATA[Gore]]></category>
		<category><![CDATA[Grindhouse]]></category>
		<category><![CDATA[Jason Eisner]]></category>
		<category><![CDATA[Magnet Releasing]]></category>
		<category><![CDATA[Rutger Hauer]]></category>

		<guid isPermaLink="false">http://wildsidecinema.com/?p=11745</guid>
		<description><![CDATA[I remember the excitement surrounding the trailer of Machete that screened on the Grindhouse release. Of course the movie didn’t actually exist at that time, but the trailer was cooler than an Eskimo’s dog dragging its nuts on the snow. When the movie did eventually see the light of day I have to admit that <a href='http://wildsidecinema.com/2011/04/movie-review-eisners-hobo-with-a-shotgun-2010-blasts-audiences-from-their-seats/'>[...]</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Film Review: Johnson Hands Out Smackdowns in &#8216;Faster&#8217; (2010)</title>
		<link>http://wildsidecinema.com/2011/02/dwayne-johnson-ex-con-smackdown-faster-2010/</link>
		<comments>http://wildsidecinema.com/2011/02/dwayne-johnson-ex-con-smackdown-faster-2010/#comments</comments>
		<pubDate>Fri, 18 Feb 2011 04:03:21 +0000</pubDate>
		<dc:creator>Brian Harris</dc:creator>
				<category><![CDATA[Action]]></category>
		<category><![CDATA[B. Harris]]></category>
		<category><![CDATA[Crime]]></category>
		<category><![CDATA[Revenge]]></category>
		<category><![CDATA[Thriller]]></category>
		<category><![CDATA[2010]]></category>
		<category><![CDATA[Car Chase]]></category>
		<category><![CDATA[Exploitation]]></category>
		<category><![CDATA[Guns]]></category>
		<category><![CDATA[Heist Film]]></category>
		<category><![CDATA[Murder]]></category>
		<category><![CDATA[Prison]]></category>
		<category><![CDATA[The Rock]]></category>
		<category><![CDATA[WWE]]></category>

		<guid isPermaLink="false">http://wildsidecinema.com/?p=12334</guid>
		<description><![CDATA[A con is released from prison as a free man after paying his debt to society for his role in a heist but the only thing on his mind is cold, hard revenge. Setting out in a &#8217;71 Chevelle, armed with a .45 Ruger pistol and a metal plate in his head, he begins tracking <a href='http://wildsidecinema.com/2011/02/dwayne-johnson-ex-con-smackdown-faster-2010/'>[...]</a>]]></description>
		<wfw:commentRss>http://wildsidecinema.com/2011/02/dwayne-johnson-ex-con-smackdown-faster-2010/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Film Review: Pacino Straps on Leather Pants for a Little &#8216;Cruising&#8217; (1980)</title>
		<link>http://wildsidecinema.com/2011/02/cruising-pacino-homo-horror-gay-murders/</link>
		<comments>http://wildsidecinema.com/2011/02/cruising-pacino-homo-horror-gay-murders/#comments</comments>
		<pubDate>Thu, 10 Feb 2011 14:48:22 +0000</pubDate>
		<dc:creator>Jennifer Holderness</dc:creator>
				<category><![CDATA[Crime]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[J. Holderness]]></category>
		<category><![CDATA[Thriller]]></category>
		<category><![CDATA[Al Pacino]]></category>
		<category><![CDATA[Big City]]></category>
		<category><![CDATA[Cops]]></category>
		<category><![CDATA[Gay/Lesbian]]></category>
		<category><![CDATA[Killers]]></category>
		<category><![CDATA[Mystery]]></category>
		<category><![CDATA[Nightlife]]></category>
		<category><![CDATA[Psychodrama]]></category>
		<category><![CDATA[Suspense]]></category>
		<category><![CDATA[Warner Home Video]]></category>
		<category><![CDATA[William Friedkin]]></category>

		<guid isPermaLink="false">http://wildsidecinema.com/?p=12602</guid>
		<description><![CDATA[A detective goes deep under cover to catch a killer who is murdering gay men in an underground, gay community in New York. If you think it sounds exploitative, then it will be to you. This film deserves its place in the history of cinema. There were numerous protests by gay communities all over the <a href='http://wildsidecinema.com/2011/02/cruising-pacino-homo-horror-gay-murders/'>[...]</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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